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E-mu | Emulator II

Description

An affordable classic early eighties sampler/workstation synthesizer. It's a sampler that sounds like an analog synth because it has analog filters! It samples at a low 8-bits (up to 17.6 seconds) so it's got that lo-fi sound which is great for some types of electronic music. Especially nice is its ability to create warm analog-ish pads and sounds. It uses those giant 5" floppy disks for storage. Also on-board is a useful 8-track sequencer. It can be hooked up to a Mac for easier editing using software such as Digidesign's Sound Designer.

The Emulator II had many new features for its time. MIDI, SMPTE and computer control. Editing samples includes truncating, manual/auto looping, reverse, velocity switch cross-fading and splicing samples together. A great feature is the 24 dB/oct analog 4-pole low pass filter. There are eight separate LFO's and eight extra individual outputs for each voice. Make no mistake, the Emulator II was a long standing professional sampler of the mid-eighties for musicians and sound designers.

The Emulator II received numerous upgrades during its four year production run from 1984 to 1988. These included the Emulator II+ with double the sample memory and the Emulator II+HD which adds a 20MB internal hard drive. The Emulator II series was replaced by the much improved Emulator III in 1988. Although both have definitely been overcome by modern samplers and workstations the Emulators remain as classic music machines.

 

BrandE-mu
ModelEmulator II
DeviceSampler
TypeKeys
Engine TypeDigital
EngineSample
Voices (max)8
Multitimbral8
LFO1
Sampler27kHz; 8-bits
Filter (VCF)24 dB/oct 4-pole lowpass with resonance
Memory512 KB (1 MB storage on the "+" and also 20MB drive in the "+HD")
Recording8-Track
Keys61
Key typeKeys
VelocityY
AftertouchChannel
MidiI-O
Produced:1984 - 1984
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

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